| A knowledge of chord progressions will help you communicate and play with other musicians. |
和弦进程的知识将帮助您与其他音乐家交流和演奏。 |
| It is a must for participating in any kind of jam session. |
参加任何类型的卡纸会议都是必须的。 |
| Knowing the most commonly used chord progressions and forms allows for greater enjoyment and unity when playing with other musicians. |
与其他音乐家一起演奏时，了解最常用的和弦进行方式和形式可以带来更大的享受和统一感。 |
| Most songs use three or more chords though some songs exist that only use two chords. |
尽管有些歌曲仅使用两个和弦，但大多数歌曲都使用三个或三个以上的和弦。 |
| Often musicians will embellish chords by adding or removing notes and to provide further interest may vary the rhythm. |
通常，音乐家会通过添加或删除音符来修饰和弦，并且提供进一步的兴趣可能会改变节奏。 |
| One chord "structures" are uncommon but they do exist. |
一种和弦“结构”并不常见，但确实存在。 |
| For instance, Frere Jacques is a one-chord song because it can be played against a single major chord. |
例如，弗雷雷·雅克（Frere Jacques）是一首和弦的歌曲，因为它可以与一个大和弦一起演奏。 |
| The melody "Taps", traditionally used at American military funerals, and which is very evocative, consists only of the notes which comprise the C-major chord (C, E, G). |
传统上在美国军事葬礼上使用的旋律“ Taps”非常令人回味，它仅包含构成C大和弦的音符（C，E，G）。 |
| One chord songs are rare on guitar. |
一首和弦歌在吉他上很少见。 |
| The most common chord progression is the I-IV-V. |
一首和弦歌在吉他上很少见。 |
| Note that Roman Numerals are used to describe these chord progressions. |
请注意，罗马数字用于描述这些和弦进行。 |
| Many songs use only these three chords. |
Many songs use only these three chords. |
| If one views chords as a set of balancing scales with the root note and octave root at opposing ends it will be noted that the IV and V chords are at equal distance respectively to the root and octave root. |
如果一个人将和弦视为一组平衡音阶，并且根音和八度音根在相对的两端，则应注意，IV和V和弦分别与根音和八度音根等距。 |
| Take for example the key of C major: |
以C大调的键为例： |
| C - D - E - F - G - A - B - C |
C-D-E-F-G-A-B-C |
| You will see that the G note (or chord) is a fifth above the root note. |
您会看到G音符（或和弦）比根音高出五分之一。 |
| The note F is a fifth below the octave. |
音符F是八度音阶的五分之一。 |
| This movement of a fifth is very pleasing to the human ear in its sense of balance and cohesion in relation to the root note. |
相对于根音，这种五分之一的移动对于人耳来说非常令人愉悦。 |
| Another way to view chord progressions is that of a journey. |
查看和弦进行的另一种方式是旅程。 |
| In the sense that the root (or tonic) chord is the starting point and the octave root is at the end. |
从某种意义上说，根（或补品）和弦是起点，八度的根是终点。 |
| All other points (chords) provide interest and variation with the fourth and the fifth chord occupying a special place on the journey due to them being half-way. |
所有其他点（和弦）都提供了趣味性和变化性，第四和第五和弦由于在途中而在旅途中占有特殊的位置。 |
| Many chord progressions start at the tonic (I), moves away to somewhere else, only to come back to the tonic. |
许多和弦进行都从补品（I）开始，然后移到其他地方，然后又回到补品。 |
| You can play this progression with major chords or you can substitute minor chords for the IV or V. |
您可以使用大和弦进行此演奏，也可以用小和弦代替IV或V。 |
