| The Lord of the Flies contains many examples of symbolism which Golding has incorporated to show a deeper level to the main, mostly straightforward, storyline that reveals his thoughts on the nature of humanity and evil. |
Regele Mustelor contine multe exemple de simbolism, introduse de Golding cu scopul de a adauga profunzime naratiunii principale care dezvaluie mai simplist gandurile sale despre natura umana si despre rau. |
| Below are some of the main symbols used in the book, but there are plenty more for you to discover yourself. |
Mai jos putem vedea cateva din simbolurile principale folosite in carte, dar exista mult mai multe pe care le veti descoperi singuri. |
| Among such symbols may be included such small or natural seeming events like the coral reef, (Submarine warfare, surrounding of Britain by German U-boats?) or the "great fire", which may represent the first world war, ("We shall never commit to this savagery again"). |
Printre astfel de simboluri pot fi incluse niste evenimente aparent nesemnificative, naturale, ca de exemplu bariera de corali, (Submarinele de razboi britanice inconjurate de cele germane?) sau „marele foc”, care ar putea reprezenta primul razboi mondial, („Nu ne vom mai lasa tarati în aceasta barbarie vreodata”) |
| Blood is another symbol Golding uses extensively, although what he uses it for is open to interpretation. |
Sangele este un alt simbol folosit pe scara larga de Golding, dar cu toate acestea interpretarile sale raman vagi. |
| The different styles of leadership shown by Jack and Ralph symbolize democracy and dictatorship, much like as depicted in George Orwell's Animal Farm where he used pigs to symbolize the USSR's communist leaders. |
Diferitele stiluri de conducere etalate de Jack si Ralph simbolizeaza democratia si dictatura, asemanator cu modul in care George Orwell le descrie in Ferma animalelor, unde acesta a folosit porci pentru a simboliza liderii comunisti ai URSS. |
| The imaginary beast that frightens all the boys stands for the primal instinct of savagery that exists within all human beings. |
Bestia imaginara care ii inspaimanta pe toti baietii reprezinta de fapt instinctul primar animalic care exista in toate fiintele omenesti. |
| The boys are afraid of the beast, but only Simon reaches the realization that they fear the beast because it exists within each of them. |
Baietii se tem de bestie, dar numai Simon realizeaza ca le e teama de ea din cauza ca aceasta exista, de fapt, in fiecare dintre ei. |
| As the boys grow more savage, their belief in the beast grows stronger. |
Pe masura ce baietii devin mai salbatici, si credinta lor in bestie devine mai puternica. |
| By the end of the novel, the boys are leaving it sacrifices and treating it as a totemic god. |
Spre sfarsitul romanului, baietii ii depun jertfe sub forma de sacrificii si o trateaza ca pe un zeu totemic. |
| The boys’ behavior is what brings the beast into existence, so the more savagely the boys act, the more real the beast seems to become. |
Comportamentul baietilor este ceea ce aduce bestia la viata, asadar cu cat ei se poarta mai salbatic, cu atat mai reala pare sa devina bestia. |
| The boys "become" the beast when they kill Simon. |
Baietii „devin” bestia atunci cand il ucid pe Simon. |
| Golding describes the savages' behavior as animal like; the savages dropped their spears (man's tool) and "screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws." |
Golding descrie purtarea salbaticilor ca una de natura animala; salbaticii isi arunca sulitele (instrumentul omului) si „urla, lovesc, musca, sfasie. Nu exista cuvinte, nici alte miscari in afara de sfasiatul dintilor si al ghearelor.” |
