| The Lord of the Flies contains many examples of symbolism which Golding has incorporated to show a deeper level to the main, mostly straightforward, storyline that reveals his thoughts on the nature of humanity and evil. |
Imparatul mustelor contine multe exemple de simbolism pe care Golding le-a incorporat pentru a adauga adancime povestirii principale, relativ simpla, povestire care dezvaluie gindurile lui despre natura umanitatii si a raului. |
| Below are some of the main symbols used in the book, but there are plenty more for you to discover yourself. |
Mai jos sant cateva dintre simbolurile principale folosite in carte, dar mai ramin mult mai multe de descoperit. |
| Among such symbols may be included such small or natural seeming events like the coral reef, (Submarine warfare, surrounding of Britain by German U-boats?) or the "great fire", which may represent the first world war, ("We shall never commit to this savagery again"). |
Intre aceste simboluri pot fi incluse si intimplari mici sau aparent naturale ca reciful de corali, (Razboi submarin, inconjurarea Marii Britanii de catre submarinele germane) sau "marele foc" care probabil reprezinta primul razboi mondial, ("Nu vom comite aceasta salbaticie din nou") |
| Blood is another symbol Golding uses extensively, although what he uses it for is open to interpretation. |
Sangele este un alt simbol folosit de catre Goldin deseori, desi pentru ce anume este deschis pentru talmacire. |
| The different styles of leadership shown by Jack and Ralph symbolize democracy and dictatorship, much like as depicted in George Orwell's Animal Farm where he used pigs to symbolize the USSR's communist leaders. |
Stilurile diferite de conducere ale lui Jack si Ralph simbolizeaza democratia si dictatura, asemanator cu descrierea din "Ferma de animale" de George Orwell in care foloseste porci pentru a simboliza conducatorii comunisti ai USSR. |
| The imaginary beast that frightens all the boys stands for the primal instinct of savagery that exists within all human beings. |
Bestia imaginara care ii sperie pe baieti simbolizeaza instinctul principal al salbaticiei care exista in toate fiintele umane. |
| The boys are afraid of the beast, but only Simon reaches the realization that they fear the beast because it exists within each of them. |
Baietiilor le e frica de bestie, dar numai Simon realizeaza ca le e frica deoarece bestia exista in fiecare dintre ei. |
| As the boys grow more savage, their belief in the beast grows stronger. |
Pe masura ce baietii devin din ce in ce mai brutali, credinta in bestie devine din ce in ce mai puternica. |
| By the end of the novel, the boys are leaving it sacrifices and treating it as a totemic god. |
La sfarsitul romanului , baietii ii aduc aduc jertfe si o trateaza ca pe o zeitate. |
| The boys’ behavior is what brings the beast into existence, so the more savagely the boys act, the more real the beast seems to become. |
Comportamentul baietilor ii da viata bestiei, deci cu cit sint mai violenti, cu atit mai adevarata devine bestia. |
| The boys "become" the beast when they kill Simon. |
Baietii "devin" bestia cand il ucid pe Simon. |
| Golding describes the savages' behavior as animal like; the savages dropped their spears (man's tool) and "screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws." |
Golding descrie comportamentul salbaticilor ca si cel al animalelor; salbaticii au aruncat sulitele (unealta masculina) si au "strigat, lovit, muscat, sfasiat. Nu existau cuvinte, gesturi inafara de sfartecatul de dinti si gheare." |
