| The Lord of the Flies contains many examples of symbolism which Golding has incorporated to show a deeper level to the main, mostly straightforward, storyline that reveals his thoughts on the nature of humanity and evil. |
" Gospodar muva" sadrži mnogo primera simbolizma koje je Golding iskoristio da bi dao dublji nivo glavnoj, uglavnom prostoj fabuli, koja otkriva njegovo mišljenje o prirodi humanosti i zla. |
| Below are some of the main symbols used in the book, but there are plenty more for you to discover yourself. |
Ispod su navedeni neki od glavnih simbola korisćenih u knjizi, ali ostaje ih još mnogo da ih otkrijete sami. |
| Among such symbols may be included such small or natural seeming events like the coral reef, (Submarine warfare, surrounding of Britain by German U-boats?) or the "great fire", which may represent the first world war, ("We shall never commit to this savagery again"). |
Takvi simboli mogu uključivati male ili na prvi pogled prirodne događaje, kao što su koralni greben, (ratovanje podmornicama, opkoljavanje Britanije nemačkim podmornicama?) ili "veliki požar", koji mogu predstavljati Prvi svetski rat, ("Nikada nećemo ponovo pristati na divljaštvo"). |
| Blood is another symbol Golding uses extensively, although what he uses it for is open to interpretation. |
Krv je još jedan od simbola koje Gold naširoko koristi, iako je cilj njegove upotrebe ovog simbola podložan različitim interpretacijama. |
| The different styles of leadership shown by Jack and Ralph symbolize democracy and dictatorship, much like as depicted in George Orwell's Animal Farm where he used pigs to symbolize the USSR's communist leaders. |
Različiti stilovi vođstva koje pokazuju Džek i Ralf simbolizuju demokratiju i diktatorstvo, slično onome što je opisano u "Životinjskoj farmi" Džordža Orvela, kada on koristi svinje da bi opisao komunističke vođe SSSR-a. |
| The imaginary beast that frightens all the boys stands for the primal instinct of savagery that exists within all human beings. |
Zamišljena zver koja je uplašila sve dečake predstavlja primarni instinkt divljaštva koji postoji u svim živim bićima. |
| The boys are afraid of the beast, but only Simon reaches the realization that they fear the beast because it exists within each of them. |
Dečaci se plaše zveri, ali samo Sajmon dolazi do spoznaje da se plaše zveri zbog toga što ona postoji u svima njima. |
| As the boys grow more savage, their belief in the beast grows stronger. |
Što dečaci postaju više divlji, to njihovo verovanje u zver postaje jače. |
| By the end of the novel, the boys are leaving it sacrifices and treating it as a totemic god. |
Do kraja romana, dečaci joj prinose žrtve i ophode se prema njoj kao prema totemskom bogu. |
| The boys’ behavior is what brings the beast into existence, so the more savagely the boys act, the more real the beast seems to become. |
Ponašanje dečaka je ono što oživljava zver, tako da, što se dečaci više ponašaju kao divljaci, zver se čini sve realnija. |
| The boys "become" the beast when they kill Simon. |
Dečaci "postaju" zver kada ubiju Sajmona. |
| Golding describes the savages' behavior as animal like; the savages dropped their spears (man's tool) and "screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws." |
Golding opisuje ponašanje divljaka kao životinjsko; divljaci su odbacili svoja koplja (čovekov alat) i "vikali, udarali, bacali, cepali- Nije bilo reči, nije bilo pokreta, osim kidanja zuba i kandži." |
