| The Lord of the Flies contains many examples of symbolism which Golding has incorporated to show a deeper level to the main, mostly straightforward, storyline that reveals his thoughts on the nature of humanity and evil. |
蒼蠅之王包含了許多像徵主義的例子，戈爾丁為了體現主要故事的更深層次的主要故事而採用了象徵主義，這表明了他對人性與邪惡本質的看法。
Cāngyíng zhī wáng bāohánle xǔduō xiàngzhēng zhǔyì de lìzi, gē ěr dīng wèile tǐxiàn zhǔyào gùshì de gēngshēn céngcì de zhǔyào gùshì ér cǎiyòngle xiàng zhēng zhǔyì, zhè biǎomíngliǎo tā duì rénxìng yǔ xié'è běnzhí de kànfǎ |
| Below are some of the main symbols used in the book, but there are plenty more for you to discover yourself. |
以下是本書中使用的一些主要符號，但您自己可以發現更多的東西。
Yǐxià shì běnshū zhōng shǐyòng de yīxiē zhǔyào fúhào, dàn nín zìjǐ kěyǐ fāxiàn gèng duō de dōngxī. |
| Among such symbols may be included such small or natural seeming events like the coral reef, (Submarine warfare, surrounding of Britain by German U-boats?) or the "great fire", which may represent the first world war, ("We shall never commit to this savagery again"). |
這些符號可能包括看似很小或自然的事件，例如珊瑚礁（水下戰爭，被德國潛艇包圍在大不列顛？）或“大火”，可以代表第一次世界大戰（“再也沒有犯下這種野蠻的罪行”） ”）。
Zhèxiē fúhào kěnéng bāokuò kàn shì hěn xiǎo huò zìrán de shìjiàn, lìrú shānhújiāo (shuǐ xià zhànzhēng, bèi déguó qiántǐng bāowéi zài dàbùlièdiān?) Huò “dàhuǒ”, kěyǐ dàibiǎo dì yī cì shìjiè dàzhàn (“zài yě méiyǒu fàn xià zhè zhǒng yěmán de zuìxíng”) ”). |
| Blood is another symbol Golding uses extensively, although what he uses it for is open to interpretation. |
血液是戈爾丁廣泛使用的另一個標誌，儘管他的用法尚有待解釋。
Xiěyè shì gē ěr dīng guǎngfàn shǐyòng de lìng yīgè biāozhì, jǐnguǎn tā de yòngfǎ shàng yǒudài jiěshì. |
| The different styles of leadership shown by Jack and Ralph symbolize democracy and dictatorship, much like as depicted in George Orwell's Animal Farm where he used pigs to symbolize the USSR's communist leaders. |
傑克和拉爾夫表現出的不同領導風格象徵著民主和專政，正如喬治·奧威爾的動物農場所描繪的那樣，他用豬來象徵蘇聯的共產主義領導人。
Jiékè hé lā ěr fū biǎoxiàn chū de bùtóng lǐngdǎo fēnggé xiàngzhēngzhe mínzhǔ hé zhuānzhèng, zhèngrú qiáozhì·ào wēi ěr de dòngwù nóngchǎng suǒ miáohuì dì nàyàng, tā yòng zhū lái xiàngzhēng sūlián de gòngchǎn zhǔyì lǐngdǎo rén. |
| The imaginary beast that frightens all the boys stands for the primal instinct of savagery that exists within all human beings. |
嚇到所有男孩的假想野獸代表著人類存在的原始野蠻本能。
Xià dào suǒyǒu nánhái de jiǎxiǎng yěshòu dàibiǎozhuó rénlèi cúnzài de yuánshǐ yěmán běnnéng. |
| The boys are afraid of the beast, but only Simon reaches the realization that they fear the beast because it exists within each of them. |
男孩們害怕野獸，但是只有西蒙得出結論，他們害怕野獸，因為它們存在於每個人當中。
Nánháimen hàipà yěshòu, dànshì zhǐyǒu xīméng dé chū jiélùn, tāmen hàipà yěshòu, yīnwèi tāmen cúnzàiyú měi gèrén dāngzhōng. |
| As the boys grow more savage, their belief in the beast grows stronger. |
隨著男孩變得更加野性，他們對野獸的信念增強了。
Suízhe nánhái biàn dé gèngjiā yěxìng, tāmen duì yěshòu de xìnniàn zēngqiángle. |
| By the end of the novel, the boys are leaving it sacrifices and treating it as a totemic god. |
在小說的結尾，男孩們離開了祭物，把他當作圖騰神。
Zài xiǎoshuō de jiéwěi, nánháimen líkāile jì wù, bǎ tā dàng zuò túténg shén. |
| The boys’ behavior is what brings the beast into existence, so the more savagely the boys act, the more real the beast seems to become. |
男孩的行為使野獸得以生存。因此，男孩們越是瘋狂地表演，野獸似乎就越真實
Nánhái de xíngwéi shǐ yěshòu déyǐ shēngcún. Yīncǐ, nánháimen yuè shì fēngkuáng dì biǎoyǎn, yěshòu sìhū jiù yuè zhēnshí |
| The boys "become" the beast when they kill Simon. |
當男孩殺死西蒙時，他們“變成了”野獸。
Dāng nánhái shā sǐ xīméng shí, tāmen “biànchéngle” yěshòu. |
| Golding describes the savages' behavior as animal like; the savages dropped their spears (man's tool) and "screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws." |
戈爾丁描述野蠻人作為動物的行為；野蠻人放下了長矛（人的工具），“尖叫，撞擊，咬傷，撕裂。沒有任何言語或動作，只有牙齒和爪子的撕裂”。
Gē ěr dīng miáoshù yěmán rén zuòwéi dòngwù de xíngwéi; yěmán rén fàngxiàle cháng máo (rén de gōngjù),“jiān jiào, zhuàngjí, yǎoshāng, sī liè. Méiyǒu rènhé yányǔ huò dòngzuò, zhǐyǒu yáchǐ hé zhuǎzi de sī liè”. |
