| The Lord of the Flies contains many examples of symbolism which Golding has incorporated to show a deeper level to the main, mostly straightforward, storyline that reveals his thoughts on the nature of humanity and evil. |
Sineklerin Tanrisi, Golding'in insanlik ve kotulugun dogasi uzerine olan dusuncelerini ortaya koyan daha derin- ve bilhassa acik- bir ana tema gostermek icin dahil ettigi bir cok sembolizim ornegi icerir. |
| Below are some of the main symbols used in the book, but there are plenty more for you to discover yourself. |
Asagidakiler kitapta kullanilan bazi ana sembollerdir; fakat kendiniz kesfedeceginiz daha niceleri bulunmaktadir. |
| Among such symbols may be included such small or natural seeming events like the coral reef, (Submarine warfare, surrounding of Britain by German U-boats?) or the "great fire", which may represent the first world war, ("We shall never commit to this savagery again"). |
Bu sembollerden bazilari mercan kayaliklari (denizalti gemisi savas hali, Britanya'nin U-boat'lar tarafindan kusatilmasi) veya birinci dunya savasini temsil eden 'buyuk yangin' ("Bu yabanilige bir daha asla kalkismayacagiz") gibi kucuk ve dogal gorunen durumlar olabilir. |
| Blood is another symbol Golding uses extensively, although what he uses it for is open to interpretation. |
Her ne kadar kullanim sebebi yoruma acik olsa da, kan Golding'in genis olcude kullandigi diger sembollerden biridir. |
| The different styles of leadership shown by Jack and Ralph symbolize democracy and dictatorship, much like as depicted in George Orwell's Animal Farm where he used pigs to symbolize the USSR's communist leaders. |
George Orwell'in domuzlari SSCB kominist liderlerini temsil etmek icin kullandigi Hayvan Cifligi'nde betimlendigi gibi, Jack ve Ralph tarafindan gosterilen farkli liderlik tarzlari demokrasi ve diktatorlugu temsil etmektedir. |
| The imaginary beast that frightens all the boys stands for the primal instinct of savagery that exists within all human beings. |
Erkek cocuklari korkutan hayali canavar tum insanlarin icinde bulunan ilkel bir icgudu olan yabaniligi sembolize eder. |
| The boys are afraid of the beast, but only Simon reaches the realization that they fear the beast because it exists within each of them. |
Cocuklar canavardan korkmaktadirlar fakat sadece Simon canavardan her birininin icinde varoldugundan dolayi korktuklarinin farkina varir. |
| As the boys grow more savage, their belief in the beast grows stronger. |
Cocuklar vahsilestikce canavara inanclari kuvvetlenir. |
| By the end of the novel, the boys are leaving it sacrifices and treating it as a totemic god. |
Romanin sonunda, cocuklar canavara kurbanlar birakir ve ona totemik bir tanri gibi davranilar. |
| The boys’ behavior is what brings the beast into existence, so the more savagely the boys act, the more real the beast seems to become. |
Cocuklarin hareketi canavari hayata getiren seydir, bu yuzden ne kadar vahsi davranirlarsa canavar da o kadar gercek olur. |
| The boys "become" the beast when they kill Simon. |
Cocuklar Simon'i oldurduklerinde canavar "olurlar". |
| Golding describes the savages' behavior as animal like; the savages dropped their spears (man's tool) and "screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws." |
Golding yabanilerin davranisini hayvansi olarak tanimlar: yabaniler mizraklarini (insan aleti) biraktilar ve "ciglik attilar, vurdular, issirdilar, parcalara ayirdilar. Dislerin ve pencelerin koparmasi disinda hicbir soz ve hicbir hareket yoktu". |
